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Now, attempting to compare the two objectively is a tad difficult for me given my personal biases, but overall, here’s the rundown. To think that the first manga from the genre may potentially be one of the darkest and uncensored works is beyond me.
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It’s BL alright, bouncing between both shounen-ai and yaoi categorizations, yet so raw and unfiltered in its depictions of homosexual relationships that I can’t help but be taken aback. I’ll be honest-I’ve never read this series, and doubt I’d be able to stomach it given its explicit nature, but am legitimately shocked at how one of the first works to come from the genre is so unapologetically disturbing in nature, showcasing a side of BL seldom expressed within the genre.
#UNFILTERED MANGA GAY HENTAI SERIES#
The series explores the undeniably dismal relationship between the two boys that eventually alludes to the notion that ‘suffering only breeds more suffering.’
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Gilbert, on the other hand, is an orphaned boy from a wealthy family notorious for his dashing visuals and fondness for prostituting himself to his classmates, with a disturbing devotion towards his uncle. The son of a wealthy French viscount and a prostitute, Serge excels academically and demonstrates a kind yet meek disposition, but is often discriminated against due to his darker complexion. The series follows the growing relationship of Serge Battour and Gilbert Cocteau, who attend Lacombrade Academy. The series explores the confines of homosexuality within the late 19th century, touching on subjects such as adolescence and coming of age, while also exploring the nature of homophobia and racism. The author, Keiko Takemiya, battled with her publishing agent for 9 years regarding the series’ publication, which was indefinitely delayed due to her reluctance to censor the blatant homosexual theology that runs rampant throughout the series. Kaze to Ki no Uta, published in 1976, is often regarded as being one of the first breakout series from the genre, and featured groundbreaking, uncensored, unambiguous depictions of homoromanticism and homosexuality within the confines of its shoujo manga serialization. Its fandom and following has since expanded into a transcontinental fellowship bound together through the international licensing and distribution of BL-oriented works. Since then, the genre expanded at an exponential rate, and what originally started as a genre with a niche following of eccentric fan girls has exploded into an item of robust global presence within the anime and manga community. This particular genre, alongside yaoi, merged into the all encompassing category of ‘BL,’ with magazines devoted to featuring works of this nature becoming popularized in the 1990’s. Eventually, the term expanded into an umbrella term (primarily by international fans) for works regarding male-dominated romance.Ĭommercially, the term ‘shounen-ai’ started to appear in the mid 1970’s and revolved around the platonic relationships of attractive boys within shoujo manga. Yaoi is derived from the phrase ‘yamanashi ochinashi iminashi’ (no climax, no point, no meaning) and was intended to demean amateur works from a multitude of genres that primarily revolved around the parodical homoerotic endeavours of mainstream characters. The term ’yaoi’ was coined in Japan in the early 1980s, and coincided with the rise of doujinshi culture.